I have been making some polymer clay pictures for an art exhibition. These are a few of the steps.
Sheets of skinner blends are made and put onto the background.
Each little leaf or blade of grass is hand made and fixed to the picture
I have been making some polymer clay pictures for an art exhibition. These are a few of the steps.
Sheets of skinner blends are made and put onto the background.
Each little leaf or blade of grass is hand made and fixed to the picture
Using Hadars Clays again Jen showed the students Inlay (Married Metals) and Mokume Gane. The emphasis on how to master the look of married metals and also how to achieve a smooth matte finish.
These are my pieces but not finished, still more sanding and polishing to go.
Inlay definition from Wikipedia: Inlay is a decorative technique of inserting pieces of contrasting, often coloured materials into depressions in a base object to form patterns or pictures that normally are flush with the matrix
This is a sample that I made for Hadar’s book in 2009. It shows the copper inlaid into the bronze clay
In the class today Jen showed examples of two clays fired together in a single piece.
A good workshop with lots of creative people at Creators Corner in Canning Vale. This delightful craft Shop is owner by Irene Alberts and Karin Posthumus, both are very talented and skilful people.
Jen Tattam give some interesting ideas about using the air dry clay made by ‘Makins’.
The dried sheets of clay can be decorated with all sorts of paints, inks and markers.
Jen brought some pre-made bangles and cuffs so the students could cut there painted sheets with scissors and glue them onto the bangles.
Jen Showed the mixing of Hadar’s clays and students explored textures.
Drying the clay Ready for the firing Into the carbon
Ready for the kiln Laurellee’s pendants Finished pendants